Saturday, November 22, 2025

Interview with Internationally Known Author Janelle Schiecke

1. What got you interested in horror?

I have a vivid memory of when I was eight years old, and my oldest brother was watching A Nightmare on Elm Street in our living room with his friends. I was terrified (hiding behind the recliner for most of the movie), but still enjoying the rush of adrenaline from the screams and the eerie score.

At one point, he told me it was okay to look at the screen. When I did, I saw Glen being sucked into Nancy’s bed and that horrific fountain of blood gushing to the ceiling. I high-tailed it out of there, but in the days that followed remembered the excitement of that fear and the sheer creativity of that scene as well.

This stayed with me, and I began to watch more horror movies and read horror books to experience that adrenaline rush again and palpable dread. I’ve always appreciated the depth of emotions that can be explored within this genre and the range of creativity as well.

2. Who is your favorite author?

I have to say my favorite author is Stephen King. Though I love reading other authors as well, I find many of King’s stories so compelling and genuinely scary. I do gravitate more toward his older works, such as Pet Sematary, Misery, and IT.

3. Do you write in genres other than horror?

At the moment, I write solely in the horror genre. In the future, however, I may be drawn to write in other genres as well. I’ve always thought it might be fun to write a thriller.

4. What's your favorite genre to write?

Horror is my favorite genre to write, because it’s what I know and grew up on. I love writing unsettling scenes and playing up that fear factor. It’s also enjoyable to add humor as a buffer to ease tension.

There are so many interesting subgenres in horror to explore as well, which offers a wealth of creative possibilities.

5. How long did it take you to "make it" as an Author?

This is such a great question, and I am flattered to be asked how long it took me to “make it” because I have made an impact as an indie author that I am very proud of. And though I still feel I have a ways to go (and am very excited for what’s to come), it took me about two years to really break through and get noticed. There are so very many talented indie authors, and it can be hard to attract attention in a sea of shining stars. It’s so important to stay genuine and lean into your niche.

6. Do you ever base part of a character on a real person?

Oh absolutely! Many of my characters are based on real people. For instance, the two male characters in Death Cult, Jason and Eddie, are both loosely based on my two older brothers. For this reason, I really enjoyed writing their banter throughout the story.

The characters of Amy and Max in Ghost Room are based on two of my best friends growing up, who I am still blessed to be friends with today. In turn, the main character, Jess, is largely based on myself.

The Clatter Man is fun, because the mix of characters are based on different groups I remember from high school. You had the jocks (Ben and Jamie), the stoners (Dustin), the cool girls (Val), and then you had the more pensive and cautious individuals (Abby).

7. Do you have a process you follow for creating your books?

Great question! I’m sure this answer varies so much depending on the author, but personally I find if there is an idea that simply will not let go, I’ll begin to jot down notes. If these notes are forming a compelling enough story, I’ll elaborate more on possible scenarios and plant more characters in.

Once I’m confident this is something I want to pursue, I’ll begin writing a first draft. This is the tricky part, however, because sometimes that spark fizzles out and I’m left with a few chapters just sitting there. In this case, I’ll just keep them on the backburner. Oftentimes, I’m able to integrate some of those ideas into a new story.

When that spark doesn’t fizzle out with a first draft though, and only burns brighter the more I write, that’s my next book.

8. Has there ever been a character you regretted killing off?

This gets me thinking about Eddie from Death Cult. I love his character, and the brutal circumstances of his death have stayed with me. He sure did go down fighting, though—I wanted his demise to be a memorable one.

10. Did you always like to read horror?

I did! When I was a kid, I read the Scary Stories to Tell in the Dark series by Alvin Schwartz quite often and began to read Edgar Allan Poe’s works early on as well. There were also other books I enjoyed, such as The Call of the Wild by Jack London and the Choose Your Own Adventure books. For the most part, however, I’ve always enjoyed reading horror.

11. Do you have an author you would class as an inspiration?

I feel Stephen King is definitely an author who inspired me at a young age. Though I watched movies and shows based on his books before I began to read them, I enjoy his writing style and diverse range of stories.

At the current moment, Nick Cutter and Adam Cesare are both authors I’m taking inspiration from.

12. What's your writing process like? Do you outline your books or are you more of a "fly by the seat of your pants" type writer?

I’m a big panster, meaning my ideas mostly come to me as I write. Though I do create very basic outlines for my stories, I find that my best ideas come to me spontaneously. Many times, I’ll be in the process of writing a scene I have included in my outline and it will veer off in a completely different direction. If I enjoy where it’s going and feel it adds value to the story, I’ll follow my muse and continue on that side road to see where it ends up.

13. Do you have a limit as to what you would put in a book and why?

Unless I were writing a wilderness survival story, I don’t think I could ever have a character kill an animal. I’m such an animal lover, and it would break my heart to write this into a story as a callous act.

14. What was your favorite subject in school?

My favorite subject in school was art class. I found it so freeing to express my creativity in such different mediums, and my favorite mediums were painting and sculpture. I enjoyed using tempera paint the most (watercolors were hard for me to work with) and loved painting landscapes. Sculpturing was so fun because, instead of a brush, your fingers were the instruments and I found this to be much more intimate.

15. What advice would you give to others who want to become authors?

The first piece of advice I have is that the road to becoming an author is a long one and takes much patience and willpower. Whether you choose to self-publish or traditionally publish, it’s a ton of work and you really have to want it and have a love for the craft.

Also, being an author requires a lot of marketing. This may seem daunting, but it’s largely about being yourself and building your “brand,” so to speak. I’m a horror fan who loves talking about horror books and movies, and feel so blessed to have made so many wonderful connections on my author journey. Since the horror genre is what I love, it all just fits together.

Love it or hate it, social media is a very helpful tool for getting your name out there and growing an audience. There are so many platforms to choose from, so people can discover which platform (or mix of platforms) works best for them and go from there.

Supporting other authors is crucial as well, and it helps to build your village. My fellow authors are such sources of inspiration and support, and I love celebrating their wins.

16. What's your favorite scary movie?

A Nightmare on Elm Street, and it’s my favorite scary movie for so many reasons.

It’s the first really scary movie I remember watching, so this is significant in and of itself. This movie is also so very creative and the practical effects are still impressive to this day. Plus, there are so many infamous scenes—Glen being pulled into Nancy’s bed followed by that geyser of blood, the bathtub scene with Nancy, the melting stairs, and so much more.

I feel Freddy Krueger is one of the most terrifying monsters ever created. The fact that he can kill you in your dreams? This absolutely terrified me as a kid, and the concept is so effective.

A Nightmare on Elm Street is such a horror classic, and I even took inspiration from this movie when writing The Clatter Man.

17. Do you think more people realize now that women can be good kickass horror writers and directors too? Why or why not?

I do, and with regard to directors the first example I can think of is the success of The Substance by Coralie Fargeat. What an incredible movie that shows such a powerful portrayal of the struggles women face amidst societal pressures. The cinematography and color tones are also beautiful.

So many other talented female directors come to mind such as Kathryn Bigelo, Greta Gerwig, and Sofia Coppola.

What I enjoy about being a female horror author myself is that some of the stories I write are quite violent and gory, whereas I’m naturally a very positive person who enjoys navigating the range of emotions and context horror provides.

There’s such a dichotomy between who I am as an author and who I am as a person.

18. Who did you look up to for inspiration as a younger person?

My mother was my inspiration. She had such strength and resilience, and taught me to work hard and keep my head up through rough times. She also taught me how important empathy is, the art of really listening to others, and the value of being present.

She had such a lovely smile and a warm presence, and was my soft place to fall. I was very close to my father as well, and he had such a great sense of humor and a positive outlook on life. I honor both of my parents in how I raise my son.

My mother instilled in me the love of reading at an early age, and would often buy me Stephen King books as birthday gifts beginning in my teenage years. I treasure these today.

19. Who's your favorite person?

I have two favorite people for different reasons.

My husband has always been so incredibly supportive and loving. He’s also very creative himself and a fan of horror as well, so enjoys giving me feedback on my stories. In addition, he has a great sense of humor and knows how much I love to laugh!

My son inspires me in so many ways. He’s so insightful, creative, and loves to make me laugh too! We enjoy taking walks together and talking about anything at all, though our conversations usually revolve around the stories and creativity of video games and movies. We love to analyze and speculate which elements could have been done differently and which were really effective.

20. What do you think of the recent gains in visibility and diversity we're seeing in horror recently?

I’m really enjoying it, and appreciate the wide range of narratives being told. This shift has provided a deeper understanding of different backgrounds, and it’s helped to bridge a gap and allow everyone to tell their stories and feel seen.

21. When I was younger, I said that women couldn't write horror (I was ignorant). What female authors did you look up to?

Women can write such deliciously dark horror, and growing up I looked up to Anne Rice. I absolutely love her Mayfair Witches series and the eloquence and terror of her prose. She was able to immerse you into a story so deeply you felt as if you were there.

Of course, Mary Shelley’s Frankenstein is quintessential horror and such a beloved classic.

Though Agatha Christie is not technically a horror author, I’ve always loved the dread and suspense in her writing. My favorite novel of hers is And Then There Were None. What a fantastic story, and she keeps you guessing while also including lighthearted humor throughout as well.

22. Who's your favorite music artist?

I have many favorite musical artists (from Guns n’ Roses to Foxy Shazam and Amos Lee), but if I’m going by which artists I listen to the most it’s Bleachers and Post Malone.

Post Malone is a phenomenal artist, and what range he has! I love how he blends genres, and can’t even count how many times I’ve listened to his album Hollywood’s Bleeding. He also has a great sense of humor, an eclectic style, and a down-to-earth personality.

Bleachers has quite a different style, but I love how nostalgic and atmospheric their music is. Some of their songs are also so upbeat and invigorating, and if I’m in a slump I’ll listen to one and almost immediately feel more energized. One such song is “Modern Girl,” I absolutely love it!

23. What song would you want played at your funeral?

I’d say The Rose by Bette Midler.

I played The Rose at a piano recital as a kid, my friends and I listened to it often growing up, and my mother loved it as well. To me, this beautiful song speaks of the trials and tribulations of life and to also have hope for the future.

I strive to be a source of comfort and support for my family and friends, and believe very much that through the storms of our lives we can move on to calmer waters and discover strength we never knew we had.

Saturday, November 1, 2025

Bath Bombs from Jumpy Jellybean's Store

Handcrafted Bath Bombs & Whipped Apple Cider Soap Review

Handcrafted Bath Bombs & Whipped Apple Cider Soap Review

There’s something deeply comforting about using a product that’s been made by hand—something that carries the care, creativity, and time of its maker. The bath bombs and whipped apple cider soap I purchased from this talented home craftswoman are exactly that kind of experience: personal, thoughtful, and absolutely luxurious.

From the moment I opened the package, I could tell these weren’t mass-produced bath products. Each piece was beautifully presented, with that handmade charm that makes you feel like you’re treating yourself to something special. The scents alone were incredible—fresh, warm, and perfectly balanced without being overpowering.

Whipped Apple Cider Soap

The whipped apple cider soap has quickly become one of my new favorites. It’s both exfoliating and moisturizing, with just the right amount of texture to gently polish the skin without leaving it irritated. The scent is heavenly—a cozy, spicy-sweet aroma that immediately reminds me of fall mornings and fresh cider simmering on the stove. What really sets it apart, though, is how creamy and hydrating it feels. After rinsing, my skin felt soft, smooth, and nourished, not stripped the way some exfoliating soaps can be. It’s a perfect blend of comfort and care in one bar.

Bath Bombs

The bath bombs were equally impressive. They fizzed beautifully, releasing a swirl of color and a rich, soothing fragrance that filled the bathroom. More importantly, they left my skin feeling silky and moisturized, with no oily residue—just a soft, luxurious finish that made me want to soak a little longer. You can tell these bath bombs are made with high-quality ingredients and a genuine love for the craft. They turn an ordinary bath into a small act of self-care.

Craftsmanship and Care

What I admire most, beyond how wonderful these products are, is the dedication and creativity behind them. Supporting a hardworking craftswoman means supporting artistry, passion, and heart—and these products absolutely reflect that. Every detail, from the scent combinations to the moisturizing formulas, shows a commitment to quality that big companies just can’t replicate.

If you’re looking for bath products that feel as good as they smell—and that make you feel genuinely pampered—these are worth every penny. They’re not just bath bombs and soap; they’re little handmade luxuries that remind you to slow down, take care of yourself, and enjoy the beauty in small things.

⭐️⭐️⭐️⭐️⭐️
Beautifully made, nourishing, and clearly crafted with love.

2025 October Horror Challenge #53 "Jennifer's Body"

Jennifer’s Body: A Misunderstood Feminist Horror Classic

Jennifer’s Body: A Misunderstood Feminist Horror Classic

When Jennifer’s Body was released in 2009, critics and audiences alike didn’t quite know what to do with it. Marketed as a sexy horror-comedy designed to appeal to teenage boys, the film was sold through trailers emphasizing Megan Fox’s body rather than the biting satire that lay beneath its surface. The result was a commercial flop and a critical shrug, yet the truth is that Jennifer’s Body was never meant to be a fantasy for the male gaze—it was a darkly witty feminist critique of the very culture that exploited and misunderstood it.

Written by Diablo Cody and directed by Karyn Kusama, Jennifer’s Body turns the traditional “dead girl” trope inside out. Jennifer Check (played with equal parts menace and vulnerability by Megan Fox) isn’t the helpless victim of horror cinema’s past. She’s a high school girl who becomes the literal embodiment of male fears and desires after being sacrificed by a clueless indie rock band seeking fame. Instead of staying dead, Jennifer rises—hungry not for approval or love, but for flesh. Her victims? The very boys who objectified her.

Subverting the Male Gaze

What makes Jennifer’s Body so fascinating is the way it reclaims horror for women. Kusama and Cody weren’t interested in making another slasher flick with a “final girl” running terrified through the woods. Instead, they built a story that exposes how women are consumed—figuratively and literally—by a culture that sees them only as objects of desire. When Jennifer seduces and devours her male classmates, it’s not just gore for shock value; it’s revenge, catharsis, and metaphor. Each kill is a gruesome commentary on the way the world feeds on young women’s beauty and innocence.

Megan Fox’s performance is key to understanding this subversion. At the time, she had been pigeonholed by Hollywood into playing the ultimate bombshell, the glossy fantasy of films like Transformers. But here, she uses that image against itself. Every smirk, every cruelly playful glance becomes a weapon. Fox leans into the character’s sexual power not to titillate, but to mock the audience’s expectations. Watching Jennifer’s Body through the lens of female rage and reclamation reveals that it’s not about male pleasure—it’s about the cost of being constantly watched.

The Curse of Mismarketing

The tragedy of Jennifer’s Body is that its message was buried beneath a marketing campaign that misunderstood everything about it. The studio’s promotional materials leaned heavily into Fox’s sex appeal, framing the film as a steamy teen horror romp instead of the sharp feminist satire it really was. The trailer practically begged young men to come watch “Megan Fox be hot and evil,” while the actual movie offered a sly indictment of that very gaze. Unsurprisingly, audiences expecting a typical horror-thriller left confused or disappointed, while the people who might have appreciated its social critique—especially young women—never got the chance to see themselves reflected in it.

In hindsight, Jennifer’s Body feels like it was simply ahead of its time. In the late 2000s, mainstream audiences weren’t ready for a horror film written by a woman, directed by a woman, and unapologetically centered on the complexities of female friendship, jealousy, and identity. It took nearly a decade—and the rise of movements like #MeToo—for viewers to return to the movie with fresh eyes. Today, it’s gaining recognition as the cult classic it always deserved to be.

A Story About Friendship and Power

At its core, Jennifer’s Body is as much about friendship as it is about fear. The relationship between Jennifer and Needy (Amanda Seyfried) anchors the film emotionally. Their bond is complicated—part devotion, part rivalry, part mirror. Needy watches her best friend transform into something monstrous, and the horror lies not only in Jennifer’s supernatural hunger but also in how their connection fractures under the weight of trauma and societal expectations. The film’s emotional climax isn’t when Jennifer dies, but when their friendship does. That loss hits harder than any jump scare.

Diablo Cody’s trademark dialogue—clever, self-aware, and steeped in irony—turns the horror genre into a kind of dark poetry. Lines like “Hell is a teenage girl” don’t just sound cool; they encapsulate the film’s thesis. Adolescence is its own kind of haunting, especially for girls told their worth depends on how they’re seen. By making the monster a victim of patriarchal sacrifice, Jennifer’s Body exposes the violence that lurks beneath the surface of so many coming-of-age stories.

Reclaiming the Classic

Over time, the cultural tide has turned. What was once dismissed as shallow or confusing is now praised for its biting social commentary and layered performances. Jennifer’s Body stands alongside other feminist horror films—like The Witch and Ginger Snaps—that reimagine female monstrosity as empowerment. Its humor, gore, and emotional honesty make it an essential entry in the modern horror canon.

In a way, the movie’s misunderstood legacy mirrors its heroine’s fate: beautiful, brutalized, and blamed for something she never chose. But like Jennifer herself, the film refuses to stay dead. It keeps coming back—on streaming platforms, in think pieces, in late-night cult screenings—inviting new audiences to finally see what was always there: a wickedly funny, razor-sharp reflection on what it means to be consumed by others and to reclaim your power in return.

Jennifer’s Body isn’t a failure—it’s a resurrection. And like all great horror stories, it’s one that lingers long after the credits roll, whispering to anyone who’ll listen: maybe the monster was never the girl at all.